雙兔 Double Rabbits
生肖新說：信言設計大使 / 香港故宮文化博物館
Design Trust Futures Studio / Hong Kong Palace Museum
2022.3-6
「雙兔」通過兔子雙耳的抽象造型融合兩種中國傳統食具——筷子架與豉油碟。設計結合傳統手藝與數位技術（黏土模型、木工雕刻、攝影掃描、激光切割、3D打印），綜合傳統木材與新材料（樟木塊、椴木板、紙黏土、木塑、軟木打印絲線等）探討創造新的當代木藝語言。
雕塑家萨璨如2011年的大理石雕刻作品「如兔」背後的創作故事給予了我們莫大的啟發。我們將傳統雕刻的 “幾何近似” 技術轉譯為從二維繪圖到三維空間的建築過程，通過對空間的關注將雕刻與建築兩大藝術領域聯繫起來。
Double Rabbits is a formal abstraction of rabbit ears that creates a functional double of traditional Chinese tableware: chopsticks holder and soy sauce dipping bowl. The design looks for a new language for contemporary woodcraft, between traditional techniques and emerging technologies (paper clay models, wood carving, photogrammetry, laser-cutting, 3D printing), between typical wood stocks and new materials(camphor blocks, engineered basswood plates, paper clay, wood and cork filaments).
Inspired by the crafting story of Ru Tu, the marble sculpture created and carved by Cynthia Sah for Project Twelve in 2011, we translated the carving techniques of geometric approximation into an architectural process from drawing to space-making. creating a methodological connection between the two disciplines through their common attention to the issue of space.
生肖新說：信言設計大使 / 香港故宮文化博物館
Design Trust Futures Studio / Hong Kong Palace Museum
2022.3-6
「雙兔」通過兔子雙耳的抽象造型融合兩種中國傳統食具——筷子架與豉油碟。設計結合傳統手藝與數位技術（黏土模型、木工雕刻、攝影掃描、激光切割、3D打印），綜合傳統木材與新材料（樟木塊、椴木板、紙黏土、木塑、軟木打印絲線等）探討創造新的當代木藝語言。
雕塑家萨璨如2011年的大理石雕刻作品「如兔」背後的創作故事給予了我們莫大的啟發。我們將傳統雕刻的 “幾何近似” 技術轉譯為從二維繪圖到三維空間的建築過程，通過對空間的關注將雕刻與建築兩大藝術領域聯繫起來。
Double Rabbits is a formal abstraction of rabbit ears that creates a functional double of traditional Chinese tableware: chopsticks holder and soy sauce dipping bowl. The design looks for a new language for contemporary woodcraft, between traditional techniques and emerging technologies (paper clay models, wood carving, photogrammetry, laser-cutting, 3D printing), between typical wood stocks and new materials(camphor blocks, engineered basswood plates, paper clay, wood and cork filaments).
Inspired by the crafting story of Ru Tu, the marble sculpture created and carved by Cynthia Sah for Project Twelve in 2011, we translated the carving techniques of geometric approximation into an architectural process from drawing to space-making. creating a methodological connection between the two disciplines through their common attention to the issue of space.
團隊
Team
Team
蘇暢、梁旻樺、康清華
Su Chang, Leung Man Wah, Don Hong
Su Chang, Leung Man Wah, Don Hong
合作Collaboration
Bespecial 木雕工作室
Bespecial Wood Carving Workshop
Bespecial Wood Carving Workshop
