●
2022.11
漁亭
深圳羅湖
深圳羅湖
響應深港城市建築雙城雙年展策展團隊“平衡即是多”的理念,設計想象一種人類與水環境技術建構一體化的可能性。通過漁網張拉結構和輕鍍鋅鋼管結構結合,參與者可以直觀地加入到一種後人類多元主體的環境技術建構中,重新連接粵港澳地區文化潛意識中半人半魚的身體,並在其中發掘“多即是平衡”的不同棲居態度。
合作:假若行
團隊:蘇暢, 林顯峰, 林語詩, 毛悅暘, 梁旻樺, 江令瑤
策展:劉珩(青年UABB)、魯安東、王子耕、陳伯康
攝影:胡康榆
合作:假若行
團隊:蘇暢, 林顯峰, 林語詩, 毛悅暘, 梁旻樺, 江令瑤
策展:劉珩(青年UABB)、魯安東、王子耕、陳伯康
攝影:胡康榆
Fishing
Luohu, Shenzhen
Luohu, Shenzhen
The project for SZ-HK Bi-City Biennale of Urbanism / Architecture 2022 imagines the possibility for humans to participate in the construction of water-environmental technologies. The tensile fishing net structure and galvanized steel frames provide a shelter for participants to actively enroll in constructing post-humanist and multi-subject environmental technologies. We welcome the participants to reconnect with the half-fish half-human body in the cultural unconscious of the Pearl River Region, and explore a different attitude of inhabiting: “More is Balance.”
Collaboration: IfWorks
Team: Su Chang, Su Chang, Lam Hin Fung Sherman, Lam Yu Sze, Mao Yueyang, Leung Man Wah, Kong Ling Yiu
Curator: Liu Heng (Young UABB), Lu Andong, Wang Zigeng, Aric Chen (UABB Shenzhen)
Photography: Hu Kangyu
Collaboration: IfWorks
Team: Su Chang, Su Chang, Lam Hin Fung Sherman, Lam Yu Sze, Mao Yueyang, Leung Man Wah, Kong Ling Yiu
Curator: Liu Heng (Young UABB), Lu Andong, Wang Zigeng, Aric Chen (UABB Shenzhen)
Photography: Hu Kangyu
1
![]()

2
![]()

3
![]()
4
![]()
5
![]()
6
![]()
7
![]()
8
![]()
9
![]()

10
![]()

11![]()

12![]()
線索
Traces
Traces


















